Turn 11
To clear his head Josh decides he
needs a quick stroll to give his long legs a stretch. Reaching for
the remote to turn off the stereo belting out some vintage DJ Shadow, Josh stops for a
quick second, putting the remote down and concentrating on the
scratches and back beats until the music is heard no more. He had
been curious what less destructive uses could be applied to his
powers and was quite pleased he was successful in his new attempt.
Pleased with himself he makes his way to the office door. He lights
up one of his ever ready Camels and raises his collar as he walks
down the street. |
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Turn 13
Amanda settled at the keyboard,
played a random assortment of notes. _Come to think of it, maybe
that's what keeps happening to my love life, too...._
The door opened as she was
wending her way through 'Strange Meadow
Lark.' "Bonjour, Alain." |
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Turn 13
The sound of music fills the
air...the strains of the theme to "The
Good, The Bad, and the Ugly" to be precise. After hastily
punching in the Millennium code into his celphone, the Sound steps
out of the shadows. |
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clip |
Turn 17
Touching his forehead and glancing
over at the wildflowers he is touched at the shy sweetness behind
all of Amanda's gestures. Josh reaches with some difficulty for the
discman Amanda left for his listening pleasure. Half expecting to
hear the Insect Surfers (know that he has their cover of "Ex Lion
Tamer" stuck in his head he'll have to dig up their "Wavelength" EP
once he gets home) he is pleasantly surprised to hear "Washingtron"
by Tru Fax & the
Insaniacs. It makes sense that Amanda would like Diana Quinn.
Being more exhausted then he thought Josh folds his hands under his
head, closes his eyes and concentrates on Michael Mariotte's
drumming. |
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Turn 19
"Harsh. So is it for tonight or do
I have some time to deafen myself with music I like?" He reaches
into his backpack for his "Blain - Anything We Can Do, You
Can Do Better" tape and "listens" to it by touch as internal
background music for effect (_...even though no one else hears it,
it's funny to me_ he thinks). |
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Turn 19
She pulls out Miles
Davis' 'Sketches of Spain' and pops it into the deck, closes her
eyes with a fleeting smile as the notes drift out. Good speakers.
She's tired -- the previous night hadn't included much sleep--but
determined not to worry about anything for the time being. "So can I
ask you something?" she says after a few silently appreciative
moments. "How'd you end up here? I mean, looking at you, I can't say
that 'bail bondsman' leaps immediately to mind," she admits with a
little smile. "You said your father started the business? You
mentioned him at the hospital, is he...?" she trails off
questioningly. |
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